Author: Ethic News

By CELESTE VILLARREAL

When an album is inspired by heartbreak and battling an addiction, what is the outcome? Amy Winehouse’s album”Back to Black” sold an estimated 50 million records and is one of the best selling records in music history. 

Winehouse had her listeners in a chokehold when she released her #1 album, “Back to Black” on Oct. 27, 2006. Amy Winehouse is a jazz singer that combines her bluesy voice with an upbeat pop R&B sound. 

This album sheds light on the challenging struggles Winehouse faced early on in her career. Unfortunately, this album would later act as a foreshadow for her tragic fate.

The album starts with her #1 hit, Rehab and songs about heartbreak and perseverance follow after.

Winehouse released the most revolutionary and creative piece of art during her time. Winehouse speaks on all things that make us human, happiness, appreciation, empathy, anger and sorrow. All the emotions embedded into our lives as they go on are represented in these 11 songs. 

This album was much more modern than Winehouse’s previous releases. When Winehouse released her first album, “Frank” (an album named after her ex boyfriend) it was much jazzier and had more of a coffee house sound. “Frank” was an amazing album, but not as diverse as “Back to Black.”

This album collected a 4.9 star rating, according to google reviews. The Guardian even wrote an article calling the album the best of the 21st century.  There were lots of words in reviews used to describe the album including “incredible,” “amazing,” and “perfect.” 

Who could deny that Amy is a one of a kind artist? “Back to Black” collected 18.9 million streams and held the highest position on the charts for a whopping seven weeks. Winehouse went on to win five awards for this album.  We can all appreciate the genius it took to create such a masterpiece.

There was not much negative said about this album. Although the review done by Pitchfork.com was rather back handed, it wasn’t very critical on the quality of the album. This review was much more about how Winehouse chose to live her private life.

The review stated, ”She’ll be scheduled to perform, but there’s no guarantee what she’ll do, or even if she’ll make it through the show. And she’ll sing about her problems…” but not care what you think about them.

This really shows that their opinions were much more personal and less about the music.

Rehab

Rehab touches on the struggle and unwillingness to get professional help. When Winehouse had written this song she was battling with her label, arguing that she didn’t need professional help for her alcoholism and drug addiction. This song is really a cry for help. Being in denial didn’t shield Winehouse from the consequences of her actions. 

“They tried to make me go to Rehab But I said no, no, no

Yes I’ve been black, but when I come back

You’ll know, know, know l ain’t got the time

And if my daddy thinks I’m fine

They tried to make me go to Rehab But I won’t go, go, go

I don’t ever want to drink again I just, ooh, I just need a friend I’m not gonna spend ten weeks And have everyone think I’m on the mend

And it’s not just my pride

It’s just ’til these tears have dried”

You Know I’m No Good

Self depreciation and how critical Winehouse is of her own actions is clear as day in this song, almost giving reasons as to why her boyfriend should just stay away. She is her own worst enemy and this is her warning label. She makes it clear that self sabotage is one of many escapes. 

“There’ll be none of him no more”

I cried for you on the kitchen floor

I cheated myself

Like I knew I would

I told you I was trouble

You know that I’m no good”-

“Who truly stuck the knife in first

I cheated myself

Like I knew I would

Itold you I was trouble

You know that I’m no good

I cheated myself

Like I knew I would

I told you I was troubled

Yeah, you know that I’m no good”

Me & Mr. Jones

Winehouse has an almost intoxicating voice in this song. Slurred and strong, she effortlessly sings this anthem without holding back. This song is about the bond between her and the rapper Nas. They were both cheating on their partners at the time and the lyrics and beat add a sleazy jazz sound onto the justification of their infidelity. Winehouse spins the the song ‘Me and Mrs. Jones” by Billy Paul, an oldies classic which is just produced beautifully.  Winehouse’s genius really peaks in this song, taking a jazz classic and making it a modern day classic. Using real instruments and not artificial saxophones, pianos, and other jazz instruments isolated her from all of the newer artists and allowed her to create her own genre.

“Nobody stands in between me and my man

It’s me and Mr. Jones (me and Mr.

Jones)What kind of fuckery is this?”-

“You made me miss the Slick Rick gig (oh, Slick Rick)

And thought that I didn’t love you when I did (when I did)

Can’t believe you played me out like that

No, you ain’t worth guest list

Plus one of all them girls you kiss (all them girls)

You can’t keep lying to yourself like this (to yourself)”-

 “I still wonder ’bout the things you do

Mr Destiny, nine and 14

Nobody stands in between me and my man

‘Cause it’s me and Mr. Jones

Mr. Jones (me and Mr. Jones)

Me and oh”

Just Friends

As complicated as Winehouse’s life was, adding relationships to the mix was a way of coping for her. This upbeat and doowop sound is followed by feelings of confliction. She doesn’t want or need a relationship at the moment but she wants companionship. She can feel the distraction of this person wearing off. She mentions how bad her addiction is getting and their schedules keeping them apart as a reason to just keep it friendly rather than hurting themselves. She is emotionally detached and her feelings for this person are purely passionate. We can only assume that the person she is talking about is in a relationship because as she states, “And no, I’m not ashamed, but the guilt will kill you If she don’t first, I’ll never love you like her.”

When will we get the time to be just friends?

It’s never safe for us, not even in the evening

‘Cause I’ve been drinking

Not in the morning where your shit works

It’s always dangerous when everybody’s sleeping

And I’ve been thinking

Can we be alone?

Can we be alone?

When will we get the time to be just friends?

When will we get the time to be just friends?

And no, I’m not ashamed, but the guilt will kill you If she don’t first

I’ll never love you like her

Though we need to find the time To just do this shit together

Back To Black

Seperating from Blake Fielder Civil was one of Amy’s most agonizing eras. Publicly recognizing her husband’s infidelity and how devoted she was to him was not only brave but incredibly raw. In the Back to Black music video Amy is burying someone representing that Blake is in fact dead to her. After all of the devastation and gut wrenching pain she felt he had moved onto someone else and she was angry. This is a revenge song, shouting from the rooftops that he is dead to her.

”We only said goodbye with words, I died a hundred times,

You go back to her And I go back to I go back to us”

“Me and my head high ,

And my tears dry, 

Get on without my guy,

You went back to what you knew, 

So far removed, 

From all that we went through And I tread a troubled track, 

My odds are stacked,

I’ll go back to black.”

Love is Losing Game

This song highlights the rise and fall of Amy’s romance to Blake Fielder Civil. The melancholy song is a roller coaster of emotions represented throughout the whole album. Amy shows us her admiration and feelings of betrayal for her ex husband. The feelings of confusion and devastation are not discovered but pronounced in this song. 

“For you, I was a flame Love is a losing game,

 Five story fire as you came

 Love is a losing game 

One I wished I never played 

Oh, what a mess we made 

And now, the final frame

 Love is a losing game” 

“Played out by the band, 

Love is a losing hand, 

More than I could stand, 

Love is a losing hand, 

Self-professed, profound

‘Til the chips were down, 

Know you’re a gambling man, Love is a losing hand, 

Though I battle blind, Love is a fate resigned, 

Memories mar my mind, 

Love is a fate resigned, 

Over futile odds, 

And laughed at by the gods 

And now, the final frame Love is a losing game”

Tears Dry On Their Own

This song creates a sense of triumph, regret and reflection. Amy goes over how she went wrong trusting and getting attached to someone so unstable and abusive. Standing up on her own with a sense of relief when she discovers she doesn’t need him says a lot about her character. Her creativity shines throughout the album  when she goes back and forth with herself throughout these songs.. Deciding she doesn’t need him and realizing her worth back to reliving the past and craving what she once had with her husband. 

“My tears dry on their own,

 I don’t understand ,Why do I stress the man?

When there’s so many bigger things at hand, 

We coulda never had it all, 

We had to hit a wall, 

So this is inevitable withdrawal,

 Even if I stop wanting you, 

A perspective pushes through, 

 I’ll be some next man’s other woman Soon, 

I cannot play myself again, I should just be my own best friend.”- 

 “All l can ever be to you, 

Is a darkness that we know, 

And this regret I got accustomed to, 

Once it was so right, When we were at our high”

Wake Up Alone

The emotional dependency Amy has with her husband is no secret, especially in this song. She only feels okay during the day when she’s distracted, almost like the night brings about all of the emotions she’s been avoiding throughout the day and hits her like a wave being held back. He even haunts her while she’s sleeping and she expresses the sorrow she feels after waking up to reality and discovering his absence day after day. 

“It’s okay in the day, I’m staying busy 

Tied up enough so I don’t have to wonder where is he”- 

“Just disappears soon as the sun sets,

 This face in my dreams seizes my guts, 

He floods me with dread, Soaked in soul,

 he swims in my eyes by the bed”

Some Unholy War- This song goes on about the loyalty Amy feels towards her husband. She goes on to say that she refuses to let him go and she will be by his side through war. This says a lot about where her priorities lie and who she’s willing to put first, herself or her husband?

“If my man was fighting some unholy, War, 

I would be behind him, 

Straight, shook up beside him With strength he didn’t know, 

 It’s you I’m fighting for, He can’t lose with me in tow”

He Can Only Hold Her- Lingering feelings are no secret in this song. Amy touches on the never ending feelings she has for her ex, Blake. In a way she is defending the emotional infidelity she is commiting by being in love with her ex while being in an entirely new relationship. She still loves her ex no matter who she pursues.

“Even if she’s content in his warmth

She is played with urgency

Searching kisses, the man she misses

The man that he longs to be Now how can he have her heart

When it got stole?

So he tries to pacify her

‘Cause what’s inside her never dies

So he tries to pacify her

For what’s inside her, it never dies”

Addicted- Amy makes it very clear that she doesn’t see pettiness as a taboo topic . When something needs to be said she has no issue saying it. This song is about Amy’s best friend’s boyfriend pinching her supply. Taking what isn’t his and irritating Amy along the way. This song acts as a lighthearted joke to end a very depressing and emotional string of songs. 

“Once is enough, To make me attack, 

So bring me a bag and your man can come back. 

I’ll check him at the door make sure he got green, 

I’m tighter than airport security teams”

By JUSTEN NGUYEN 

 Joji, known for his songs “Slow dancing in the dark” and “Sanctuary” released his third studio album “Smithereens” on Nov. 4.

The album is part of the label 88Rising, two years after his last album “Nectar.” His new album consists of nine songs with two previously being released before the album. 

Joji brings you a ride of emotions on each one of his albums. “Smithereens” puts the listener on an adventure through Joji’s mind and emotions.

Glimpse of Us

Originally released on June 10, “Glimpse of Us” was Joji’s first song to release since his album “Nectar” which was released back in the year 2020. 

This song takes the listener on a flow of emotions.

The opening line, “She’d take the world off my shoulders if it was ever hard to move,” suggests that Joji is talking about a girl that means a lot to him. 

In another line part of the opening verse, “Why then if she’s so perfect, do I still wish that it was you?” A follow-up from the previous line, Joji is talking about his ex and wishing she was his current girlfriend. 

In the chorus, Joji explains why he feels the way he does, “‘Cause sometimes I look in her eyes And that’s where I find a glimpse of us.” 

This is where he shows why he misses her and feels that his current relationship will never be as good as his ex.

Over this past summer on TikTok, “Glimpse of Us” blew up and currently has over 1 million videos that have been made to it on top with millions of views. On Spotify, the song has over 669 million streams being the most streamed on the album.

Feeling Like The End

The first new song on the album, “Feeling Like The End” lyrics express the heartbreak of false promises of a broken relationship.

From a personal view, “Feeling Like The End” has a type of staring at your ceiling at 2 am vibe. 

The heartbreaking song starts off with the chorus, “Too many, too many things we did together You used to promise me it would be forever. Feeling like the end, don’t think it will get better, baby.”

In this Joji speaks about  false promises from his ex and things they did together. 

“Feeling Like The End” currently has over 21 million streams on Spotify.

Die For You

Debuting with the album “Die For You” has hits deep in your emotions and in my opinion is better than The Weekend’s song “Die For You.”

Joji is still thinking about an ex from the past, the first two lines in the pre-chorus, “Burning photos Had to learn to let go” Joji is trying to get over his ex. 

In the chorus, Joji then expresses that even though its hard for him to let go of what they had he would still die for her, “I heard that you’re happy without me And I hope it’s true It kills me a little, that’s okay ‘cause I’d die for you.”

Like “Glimpse of Us,” “Die For You” has gathered a trend on TikTok with there being over 58 thousand videos made to the song and millions of views on those videos. Currently, “Die For You” has 75 million streams on Spotify.

Before The Day Is Over

The new song by Joji “Before The Day Is Over” starts off with background vocals and a slow-paced piano. 

The chorus, “I know it won’t be long I know you’re almost gone Hold on, let me in before the day is over Just let me in before the day is over,” expresses that Joji is having a hard time getting over his ex and doesn’t want to lose her. 

My view on “Before The Day Is Over” is that it has a reverse feel to one of his previous songs “Run”.

“Before The Day Is Over” is currently sitting on over 16 million streams on Spotify.

Dissolve 

“Dissolve” gives us a breakdown into Joji wanting to leave his body and leave everything behind.

Joji slowly breaks down giving the name for the song “Dissolve.” 

Joji depicts this in his lines, “It’s so hard just being me sometimes I wish I could escape out my mind.”

Currently on Spotify “Dissolve” is over 13 million streams.

NIGHT RIDER

“NIGHT RIDER” starts to show us the mentality of Joji and falling victim to his mind.

Joji goes in dept with being lost in his mind with the lines “Burning forever and ever, fully blazing I don’t remember no better days You know I’m waiting, just whenever.”

“NIGHT RIDER” is currently over 15 million streams on Spotify.

BLAHBLAHBLAH DEMO

Joji slowly spirals into his mind and it perfectly shows this as the beats go into a slower pace towards the end of “BLAHBLAHBLAH DEMO”.

The song starts over with the chorus, but the beat changes tempo when Joji says the first line of the chorus a second time, “I can make you feel it closer, baby, one more time.”

“BLAHBLAHBLAH DEMO” currently has over 12 million streams and is the least streamed on the album.

YUKON (INTERLUDE)

Originally released on August 26th, “YUKON (INTERLUDE)” created anticipation and hype for the SMITHEREENS album.

YUKON expresses Joji’s wild mind and a little bit of the reckless lifestyle he used to have before fame. 

With lyrics like, “Speeding up on that all-black Demon Going west, I don’t got no reasons I was throwing stones at Hercules Throwing them so perfectly Circles at the Chevron I can’t be forever youn,” Joji jumps into his former self a little bit and can’t accept he won’t be young forever.

“YUKON (INTERLUDE)” has currently over 45 million streams on Spotify.

1AM FREESTYLE

Joji reminisces about the past on “1AM FREESTYLE”.

Joji’s lyrics show us he’s afraid of being alone in this life. 

The chorus “You know you can make it But you can’t make it alone.” 

On the verse “I’ve been playing memories in my mind Wishing you were there like all the time” shows Joji misses his past and what he had then.

“1AM FREESTYLE” currently has over 16 million streams on Spotify.

Feature image: Album collage created by JUSTEN NGUYEN

By MONIQUE VARELA and MARSHALL SCOTT

Taylor Swift released her latest album, Midnights, on Oct. 21 at 12 midnight. The idea for the album was for it to be released exactly at midnight, however, due to the different time zones, Midnights was released at 9 PM pst, 10 PM mst, and 11 PM cst. 

The album has 13 songs in total with one song, “Snow on the Beach,” which features Lana Del Ray. 

According to nylon.com, “Midnights has also broken several streaming records, including being the most streamed album in 24 hours (184.6 million streams) and the most streamed act on Spotify in 24 hours (228 million streams).” 

Swift fans thought that Midnights had a different vibe than her previous albums, as she has a tendency to make her albums about past failed relationships, so the change is something fans thoroughly enjoyed. 

You’re On Your Own, Kid

You’re On Your Own, Kid was the fifth track on the “Midnights” album. The song is about Swift’s own personal journey navigating gaining fame, love, and the people she has lost and gained throughout her journey through fame.

Though the song lyrics seem to be more closely related to Swift’s romantic side and wanting a boy’s attention. Throughout the song she continues gaining fame but yet still feeling alone even around so many people who love her.

She also seems to briefly address her past eating disorder in the song with the lyrics “I hosted parties and starved my body.”

The song strongly suggested that this song is about growing up and learning to release negative things from your past. Learn to keep the positives about life instead of the negatives.

Lavender Haze

Many fans speculated that “Lavender Haze” was Swift coming out as bisexual due to the color association. 

Christobal Hastings CNN article “How lavender became a symbol of LGBTQ resistance” states,  “In 1969, the color came to symbolize empowerment. Lavender sashes and armbands were distributed to a crowd of hundreds in a ‘gay power’ march from Washington Square Park to Stonewall Inn in New York, to commemorate the Stonewall riots that had just taken place a month before.” 

However, the song is actually about Swift’s relationship with her partner of six years, Joe Alwyn. People speculated that Swift and Alwyn were allegedly engaged which was neither confirmed nor denied. 

The lyric “All they keep asking me is if I’m gonna be your bride” makes it seem like Swift is tired of people asking whether Alwyn and Swift are going to get married.

Swift has spoken on social media about her relationship before as well as talking about the song. 

On an instagram post, she talked about the meaning of the song stating, “My relationship for six years, we’ve had to dodge weird rumors, tabloid stuff, and we just ignore it. This song is sort of about ignoring that stuff to protect the real stuff.” 

Swift also mentions in the instagram post how she decided on the name of the song, Swift looked up the meaning of the term “Lavender Haze” which was a common phrase used in the 50’s that meant being in love. 

Maroon

Maroon was the second track on the Midnights album and is suspected to have a lot to do with past flings with lovers. Maroon is assumed by fans to be her backtrack to Swift’s “Red” album ex Jake Gyllenhal and her romance with Harry Styles. 

In the album Swift uses many colors to describe her emotions throughout the songs, one example would be the color maroon. With the song fans get to see deep into Swift’s thoughts and what keeps her up at night. 

In the song she talks about a lover she once had and remembers the first night they spent together.  Swift recalls the days and nights she spent with the lover which she felt she could really be herself around them.

The color maroon resembles what it used to be which was a bright red but it slowly burned out and turned to maroon, the color suggests it was similar to how the relationship between this lover went. Swift and her lover didn’t understand how to fix the drift and silence that came between them and all she has left are the memories that keep her up at night.

Anti-Hero

Within the Midnights album, Anti-hero was the third song. This song was very relatable for some of  fans and for Swift, as the song is about Swift’s insecurities and her anxiety in both her public and private life. 

On one of Swift’s Instagram posts she states that the song is one of her favorites on the album, “This song really is a real guided tour throughout all the things I tend to hate about myself,  We all hate things about ourselves” Swift says. 

In addition she says “So yeah, I like ‘Anti-Hero’ a lot because I think it’s really honest.” There are many deep lyrics in the song which can be interpreted in different ways. 

Some of the lyrics such as, “I should not be left alone to my own devices” and “I end up in crisis” can be seen as relatable to her fan as some people believe they shouldn’t be alone because they’re afraid of what could happen. 

In her music video she shows thoughts on her weight and appearance which caused controversy against some of her plus-sized fans. During the music video, Swift stands on a scale and it read “Fat” which is what Swift felt because of her eating disorder. 

Mastermind

Mastermind was actually the last song of her “Midnights” album.  This song was revealed by Swift to be about Joe Alwyn and her relationship origin story.

This is not the first time Swift has referenced Alwyn in her music but this song recaps the beginning of their love. Swift and Alwyn were considered to fall in love at first sight at the 2016 Met Gala. In the song it constantly describes how she felt meeting Alwyn and how she immediately felt something special about him.

The chorus shares her dedication and stubbornness to making things work out between herself and Alwyn naming herself the “Mastermind” behind their relationship. The song shows a lot of dedication between their relationship and has a nice twist from her music about all her past relationships that didn’t work out well.

Snow On the Beach (feat.Lana Del Ray)

Snow On the Beach is the fourth song on the Midnights album. Swift’s idea for Snow on the beach is the wonderful feeling of someone falling in love with a person as they’re falling for you too. 

It’s almost the feeling of a dream and realization of love. Like other songs on the album, this song is also assumed to be about her relationship with Alwyn. Lyrics that support this claim are “You wanting me tonight, feels impossible.” 

Midnight Rain

“Midnight Rain” was the sixth track on Midnights. The song’s meaning isn’t exactly known, however, guesses can be made by paying attention to the lyrics being sung. 

The possible meaning towards the song could be that Swift did not want to be the small-town girl she wanted to be well-known but her partner at the time could not have wanted that for Swift and wanted to lead a “normal” life. 

The lyrics “He wanted a bride, I was making my own name.” could have represented this idea.

Question…?

“Question…?” was the seventh track in the Midnights album. The true meaning of the song is unknown but queer fans of Swift believe the song might have something to do with Swifts former best friend and rumored kissing partner, Karlie Kloss. 

Queer fans believe this to true because the context in the song. The song uses mainly she/her pronouns. 

In the lyrics “Did you ever have someone kiss you in a crowded room?” could be linked to Swift’s song “dress” in her album with the lyrics, “Our secret moments in a crowded room” and “I don’t want you like a best friend, I only bought so you could take it off.” 

Vigilante S— 

The eighth track in Midnights is Vigilante S—. Vigilante S— is said to be about a wife finding out about her cheating ex-husband who has also done some white-collared crimes. 

This song is also Swift’s second song to ruin a man’s reputation to avenge one of her friends. Swift helps the ex-wife take revenge on the ex-husband, while they are said to look hot doing it. 

The song allegedly references Scott “Scooter” Braun, who Big Machine sold six of Swift’s songs to. As well as the feud between Kim Kardasian and Kanye West with the rumored album “Karma” that was then reworked into “Reputation.” Swift’s fan base is excited for the alleged official music video to drop. 

Taylor Swift’s ’Midnights’ album CD in the target music section which includes the 13 songs as well as three bonus tracks. (MARSHALL SCOTT/Ethic News photo)

Bejeweled

The song Bejeweled was the seventh track on Swift’s new album. This song is a feel good song and reminds the listener to not settle for less and to those who feel or have felt taken advantage of. 

The song discusses dating someone who doesn’t treat Taylor how she wants to be treated, she starts to feel under appreciated and loses her shine. As the song progresses Swift realizes she is better without him and with or without him she can still “make the whole place shimmer.” 

One thing about the song that really caught people’s attention when one of the lyrics described Swift dancing with another man while talking to her lover about this new man. People suspect this may be a reference to Tom Hiddlestone they met at the 2016 Met Gala  and famously danced with him while she was still dating Calvin Harris. The dance quickly hit headlines in May 2016 and in early June 2016.

Labyrinth

Labyrinth was number ten in the Midnights album. The song Labyrinth is another song about her current long-term boyfriend, Joe Alwyn. The song represents how Swift was afraid to fall in love with Alwyn because of her failed past relationship. 

The lyrics “Oh no, I’m falling in love again” shows how Swift really panicked when she found herself falling for Alwyn. 

Another lyric, “I thought the plane was falling down how’d you turn it right around” shows how she originally thought that the relationship could’ve turned out badly because of past experiences but in fact, it’s going the complete opposite. 

Karma

Karma was placed 11th in the tracking list.The song is based off an album that was not released, also called “Karma.” 

When the song title was announced fans believed the song would be a diss track to rapper, Kanye West, only for fans to find out that was not the case. 

The meaning behind the song is “a perspective of feeling really happy, really proud of the way your life is.” 

Swift says, “Feeling like this must be a reward for doing stuff right, and it’s a song I really love because I think we all need some of those moments. We can’t just be beating ourselves up all the time.” 

The song also represents Swift’s long-term determination to have a life-long career, the lyrics “Ask me what I learned from all those years, ask me what I learned from all those tears.” show that determination Swift has.

Sweet Nothings

Sweet Nothings was Swift’s 12th  track on her album. In Midnights Swift did not shy away from getting personal in her lyrics about her life and love life. This song discusses her highs and lows that come with being in the public eye and figuring out her peace and comfort with her partner of six years, Alwyn. The song discusses herself seeking comfort and shelter from the outside world with Alwyn. Going in deeper she feels safe with her partner and is comfortable enough with Alwyn to show her deepest thoughts and insecurities without feeling judgment. Swift feels safe with him and doesn’t have to ask him for compliments to receive them.

Midnights was the first album to be released after her two year hiatus, this album quickly began to be a fan favorite for the relatable topics in many of her songs on the album. 

The album talks a lot about her struggles in life and also her feelings and love towards her six-year long relationship with Joe Alwyn. 

Additionally, to the Midnights Album, Swift also made an extended version with seven more songs giving Midnights 3AM 20 songs. 

These albums can be found on Spotify, Apple music as well as Youtube music.

Correction: The original publishing of this article did not include analysis of the songs Anti-hero or Mastermind. It was corrected on Dec. 2 at 2:55 pm.

By MAXWELL BRIGGS

Netflix released a show titled “Monster: The Jeffrey Dahmer Story,” on Sept. 21 and there are differing opinions on this show and how the cases of Dahmer and his victims were depicted. 

Accuracy

One glaring issue people have with this show is the inaccuracy throughout the show. 

For example, Glenda Cleveland, played by Niecy Nash, lived in a different apartment building than Dahmer’s and wasn’t his next-door neighbor as depicted in the show. To some, this may not seem like something significant, let alone something to think is wrong. 

Still, when depicting real-life instances like the Jefferey Dahmer case, details must be accurate, out of respect to the people that were involved in that case, especially those who lost family members and friends to that man; they deserve to have stories shared truthfully. 

The police on the case were already making the case even harder to solve due to their own inaccuracies about Dahmer.  Even the most minor details that may seem minuscule and irrelevant need to be depicted properly because this isn’t just an instance of disturbing fiction. 

This isn’t something that can be rewritten or have a spin-off, and that’s what some viewers of the show forgot.

Permission

This leads to another concern regarding the show, the directors, Ryan Murphy and Dan Brennan, did not get permission from the victim’s family to make this show and include their deceased loved ones. 

Eric Perry, the cousin of victim Errol Lindsey, shared on Twitter on Sept.  22, “No, they don’t notify the victims’ families when they do this. It’s all public record, so they don’t have to notify (or pay!)”

It was disrespectful and unnecessary for the directors not to do the bare minimum by seeking out the victims’ families and asking them how they feel about the show idea before they go along with any final decisions for the show. 

No matter which way you look at the dilemma of asking for permission and risk not being able to go along with the main plan for the show or  getting permission from the victims’ loved ones and possibly having to alter the whole show itself,  the most reasonable option seems clear. 

There’s a possibility that co-directors couldn’t find any link of family or friends to some of the victims, or maybe their loved ones simply shut the idea down right away; either way, straightforward communication is necessary when handling such cases.

Casting

Another complaint is the casting choice, especially for one person in particular. 

It was a poor casting choice in the long run to cast Evan Peters, a notoriously known and loved horror actor,  to play Jeffrey Dahmer, a genuinely vile human being. 

While Peters has played immoral roles in the past (i.e. Kai Anderson from “American Horror Story,” a raging sexist, alt-right, Trump supporter), the issue is, Jeffery Dahmer isn’t just some creepy spooky slasher from a horror movie like Jason Vorhees or Micheal Myers. He was a real person, who impacted other very real people, but some viewers from the show have made some kind of disconnect between this show and the real events that the show is based upon. 

It just seems as if some fans of his long life work, the viewers that will watch whatever piece of media he’s a part of as long as he’s in it, forget the fact that this isn’t just a typical casting role for Peters to play, it’s based on real life, real stories, real people that had the misfortune of coming across that man.

A question to those (specifically non-black cisgender heterosexual people) that have watched the ¨Monster¨ series and make jokes about what the victims had to live through before passing away for shock factor, or to the people who decided to dress up as Dahmer after getting inspiration from the show:

 How does fiction affect perceived reality; how do  real-life events affect fiction? 

And truly, is someone able  to decipher the fact that just because something is on television  it does not mean it can’t, doesn’t, or hasn’t already been carried out into reality.

In this case, unfortunately, it already has.

So there truly is no excuse.

Featured image photo collage designed by JUSTEN NGUYEN

By CHRISTIAN CHAPPAROSA

One of the most influential math rock bands, “Chon,” is a four-person group consisting of both Mario Camarena and Erick Hansel as the lead guitarists, Nathan Camarena as the drummer, and Esiah Camarena as the bassist (although there have been different bassists throughout the years of their tours). The band started small. As younger adolescents, Mario and Erick were already extremely talented guitarists with bright futures ahead of them. This was shown beautifully with their small demo EP in 2008. They decided they wanted to do live shows, so Mario had Esiah (his brother) on board, and also taught 11-year-old Nathan (little brother) how to play drums. With everything all together, the band is official. 

2008 Demo EP: 

-Across The Spectrum

-Mountains of Creation

-Temporarily Destabilized 

-Elliptical Illuminations 

This short EP shed light on Mario and Erick’s song-composing skills at a young age. Each song displays absurd and complex riffage. One could also hear how much another math rock band, “The Fall of Troy,” influenced the band’s sound in terms of guitar tone and riff ideas. As much as I enjoy each song from this sort of EP, a particular piece stands out between the four songs. Temporarily Destabilized has incredibly catchy rhythms and jazzy solos that will stay in your head for weeks. It’s also more significant in length and progresses more than any other song within the band’s whole discography. Overall an album that stands out and gets better every listen.  

Releases created before or after the 2008 EP:

-Newborn Sun

-O.G.

-Breathe

-The Perfect Pillow 

These releases were used regularly during the band’s live sets between 2009-2013. Newborn Sun would come to have a re-recording in their 2013 album, “Newborn Sun,” and The Perfect Pillow getting a re-recording in their 2015 album, “Grow.” I thought this era of Chon was their accumulation of all of their influences, mixed with finger breaking arpeggios and interesting solos. Although these songs have no right being as good as they are, this mesh isn’t quite what I’d define for the band as a whole, since I’d regard their first 8 songs as “refreshers for those that are tired of listening to metal.”

2013 Newborn Sun: 

-Potion

-Puddle

-Fluffy

-Dew

-Bubble Dream 

-Frosting

-Newborn Sun 

With this next EP, Chon still keeps their metal influence but makes a more significant push for melodies and atmosphere with short and sweet songs for “Potion” and “Frosting.” It is also home to their most iconic piece, “Bubble Dream,” which put them on the map and a staple for the math and prog community as a whole.. Also, “Dew” has a beautiful ethereal solo, and I think everyone should listen to this song. It shows how fast Mario and Erick have improved over the past few years. 

2014 Woohoo! EP: 

-Super Potion

-Knot

-Ecco

-Sketch

-Dust

-Suda

With each new release, Chon continues evolving their music and is not afraid to take risks. When I first listened to this EP, I wouldn’t say I was much of a fan then. But over the years, I became a little upset that I never listened to this small album as much as their other works. This EP is home to an interesting batch of songs, with only pure acoustic guitar on Super Potion written by Erick and Dust by Mario. Not only this, “Ecco” would be the band’s first song to have vocals sung by their bassist at the time, Drew Palisek. All and all, this EP has exciting ideas, especially with how “Knot” and “Sketch” have such groovy ending riffs and the beautiful melodies within “Suda.” 

2015 Grow(Band’s first official album):

-Drift 

-Story

-Fall

-Book (Feat. Matt Garstka)

-Can’t wait

-Suda

-Knot

-Moon

-Splash

-Perfect Pillow

-Echo (re-recording of Ecco)

-But (Feat. Matt Garstka)

After years of growing popularity, Chon was able to sign with a record label, Sumerian Records, and debut their first official album, fully licensed. At the time of the release, there were mixed opinions regarding the album, as almost half of it was re-recorded songs. But after time, it was much more appreciated; since this was the band’s first full album, they needed to showcase some of their best stuff to reach out to people newer to the band and the genre itself. But even with the convoluted reasonings, I believe this is the band’s holy grail album. “Story” and “Splash” structure the vibe you feel while listening to this masterpiece. “Can’t Wait” would be the crowd pleaser among the community, and “Fall” is, in my opinion, a perfect song from beginning to end. This album also features guest artist, well-renowned drummer, “Matt Garstka,” from the prog-metal band, “Animals as leaders.” The two songs featuring him really do mesh well with Mario and Erick’s writing. I forgot to mention that the band’s drummer, Nathan, doesn’t yet write any of their drum tracks, as his drum mentor, Brian Evans, is the one pulling the strings. 

2017 Homey Album:

-Sleepy Tea

-Waterslide

-Berry Streets (Feat. GoYama)

-No Signal

-Checkpoint

-Nayhoo (Feat. Lophiile, Masego)

-Here and There

-The Space

-Feel This Way (Feat. Giraffage)

-Continue? 

-Glitch (Feat. ROM)

-Wave Bounce

For Chon’s second album, they’ve decided to take even bigger risks and experiment with not only their sound but do collaboration pieces with other artists. They’re using more post-processing, different balances and effects within their songs while still incorporating their roots as a math-rock band. I am a little on the fence with this album as a whole. I didn’t really enjoy the featured artists’ songs, as I don’t think the songs are nearly as catchy or memorable as their other tracks. This also goes for the ones they did create as only the band, with the exception of “Waterslide,” and “Sleepy Tea,” as they are the face of the album. I will say I’m never not impressed by how the band can make such complex and virtuosic riffs that flow so well within each of their songs. 

2019 CHON Self-Titled Album:

-Ghost 

-Cloudy

-Gift

-Visit

-Petal

-Pitch Dark

-Rosewood

-If

-Spike

-Dead End

-Thanks

-Peace

With the third and, as of currently, the band’s final album, we hit a close. In retrospect, I’m happy that this album wasn’t my introduction to Chon. As a listener since “Grow,” you feel the total weight of each song, seeing how far the band’s come. “Ghost” was probably the best choice to use for the first track. It was a hopeful introduction into the rest of the album, with Mario and Erick completely shredding on their guitars. Despite the more simplistic melodies, Chon can really incorporate intense riffs and drum fills together without breaking the song’s initial flow. With regards to “Spike,” this song was definitely written as a callback to their earlier works, literally being able to hear the main theme of “Bubble Dream” at the end of the track. And the album’s final song, “Peace” completely subverts your expectations. Every track from this album has such distinctness, being able to tell one from the other. In conclusion, Chon has never made a bad song, but I just didn’t personally enjoy this album as much as I did with their other works; it all seemed just a little surreal that this would possibly be their last album they’d make.